The Stand is an old friend.

I read it every five or six years. I go back to it in the same way one might go back to the place in which you grew up.

My affair with everything apocalyptical probably came from King; well some of it anyway. The landscape of my youth was clouded by the coming apocalypse. But it never came. There was the threat of nuclear war, Aids, over-population, and ISIS (so called), but it has never ended. Neither has my love of The Stand.

I picked up a copy of this book just before the weekend and started to read it once again. Some people never go back to books once they have read them. Some people never review a film once it has been watched. I do both. The mind-readers out there will tell you that it will be connected with my psychological hoarding, a need to never let go of the past. I believe this to be true, as this book testifies. For somebody who can launch into new experiences, whilst leaving behind old ones, I am a strange contradiction.  But there are artefacts that I treasure; books, books, books.

Cornerstone-bookshop

The latest edition of The Stand has new chapters and some new characters. All of these are peripheral to the main events yet they work in a way to freshen up the novel for a new audience. Where King falls down a little is where there are obvious anachronisms that have been born out of temporal revision.

My favourite character, Larry Underwood, a musician about to make it big before Captain Trips seizes his stage. At that time Larry was mixing his tracks with Neil Diamond. Now, I am not one to put Neil Diamond down, but a new audience wouldn’t really know him. If they had heard of him, it would be in the same way that would have heard of somebody once called Noah. I have a student who goes by that name, but he hasn’t got an arc or a zoo. That to one side, the book gripped me once again and I spent huge swathes of the weekend lost in its many pages.

Once again, I was back to the time when I was eighteen, still wet behind the ears, hoping beyond reasonable hope that I would amount to something in life.  I was afflicted with that good old Jesus-Syndrome. Reading, The Stand is like reading me and about all that has happened during the time that I became what I am today.

 

My favourite characters in the book are Larry Underwood and Nick Andros. The latter is a youngish man who can’t speak nor hear. He is very special in the grand scheme of things. Larry, because he is a tragic figure who is haunted by his own doubtful character. He wants to be good but often does bad things. “You ain’t no good guy!” He hears from women, who would have been complete strangers if he hadn’t have slept with them. I like Larry because he is a little bit like I was when I was young, self-centred, hedonistic, and a dreamer. He wanted  to do the right thing in a world which was not right so, he just went along with it and carved out his own little stretch of land where he could hide from his troubles and the eyes of his critics.

 

Larry is an artist who has struggled to be heard properly. He hasn’t had the breaks and when one sashays his way it is blown away by a combination of genetic engineering and the end of days conducted by Randall Flag. Old Randy is the Devil in-definite-carnate. And poor old Larry, and the rest of the world, are swept away by this janitor from Hell. Larry is a guy who has always been good, at heart, but indifferent in actions. The last stand of good against evil is one in which he will play a major role, surprising himself and others with his bravery and selflessness. At the end of it all, Larry is a “good guy” but dies in the process. So, is this Jesus thing in my DNA or has it been placed there by the writers I worship?

images-34    Randall Flag

If I was a lawyer, I would possibly say that this particular case ought to go to litigation. Through their poetry and prose, these writers have led me all the way along a narrative that quite possibly would not have been written in the same the way that it has turned out. Or is it that I was always predisposed to this type of existence, and that I chose the literature that best reflected me?

 

Thanks goodness that I never liked Jane Austin – although with zombies it is a lovely treat.

 

Published by

mike2all

This is the story of what happened to me when anxiety took a grip. I lost my senses, I lost my job, and I lost me. I then turned to writing to find those things that had gone missing. How can you teach when you believe that education is a business that is failing in its primary remit of helping to create a better society? Indeed, how can you teach when you believe that you have nothing of value to pass on? The book/blog is the story of my recovery from the absolute darkness of the early days. It is an Odyssey through my life over the last twelve months and a retracing of my steps to discover how I found myself there. More than all of that, it is a re-evaluation and a rejoicing of all that which I call life. Happy reading and I hope it helps. There is madness, Everyday Madness, and not all of it comes from within.

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